Taketsuru Pure Malt blends whiskies from the Yoichi and Miyagikyo distilleries, and founder Masataka Taketsuru's life - Scotland, and his Scottish wife Rita - proved that difference creates richness. The challenge was expressing that without a single whisky-ad convention.

Deconstruct blending into its smallest unit - a visual language of dots, each dot a character - that collide, separate and recombine until difference itself is the brand.

A film and design system in which every dot plays a different role, their movement a metaphor for both whisky-making and human relationships - deliberately neither Western luxury codes nor Japanese heritage codes, something the team says could only belong to Nikka.

Cannes Lions 2026 brought Gold and Bronze in Industry Craft and Silver in Design; MAD STARS 2026 awarded its Design Stars Grand Prix and Gerety gave it Gold - the follow-up to 2025's Gold Lion 'NO LABELS'.

Most whisky advertising leans on the same codes: beautifully shot bottles, amber liquid, heritage imagery. Dentsu Tokyo and Nikka refused both the Western and the Japanese versions of those codes for Taketsuru Pure Malt, a blend of malt whiskies from the Yoichi and Miyagikyo distilleries. Instead they deconstructed blending itself into its smallest possible unit: the dot.

Each dot in the film plays a different character. As they overlap, separate, collide and reconnect, they generate new forms - a metaphor for the vatting of whiskies and for the life of founder Masataka Taketsuru, who learned his craft in Scotland and built Japanese whisky with his Scottish wife, Rita. 'The idea that when different things come together, they create richness that could never exist alone is something that was embodied by Masataka Taketsuru's life itself,' creative director Shohei Maeda told adobo Magazine. The title is a creed: being different is not a flaw.

Dentsu calls it not a campaign but a creative language - one that carried across design, craft and brand experiences for the Taketsuru brand. Cannes Lions 2026 juries rewarded it with Gold and Bronze in Industry Craft and Silver in Design, and the work added a Design Stars Grand Prix at MAD STARS 2026 in Busan and a Gerety Gold.

The product is literally a blend, so the advertising medium - dots combining into new forms - demonstrated the claim instead of describing it.

Removing bottle, glass and liquid removed every convention a competitor could also buy, leaving an identity no other whisky could use.

The founder's biography gave the abstract system a human story: Scotland and Japan, Rita and Masataka, difference embraced.

It was built as a long-term brand language rather than a one-off film, compounding the value of last year's Gold Lion 'NO LABELS' partnership.

When your product's essence is combination, advertise the meeting, not the merchandise. A brand philosophy rewritten as a visual language outlasts any single campaign or product shot.

The work carried Nikka's run of form forward: after 'NO LABELS' won the distillery a Gold Lion in 2025, 'dear difference' added three more Lions at Cannes 2026 - Gold and Bronze in Industry Craft, Silver in Design - plus the Design Stars Grand Prix at MAD STARS 2026 and a Gerety Gold. Dentsu describes the partnership as built around Nikka's brand idea of 'Savour the joy of life', with the dot language positioned as a system future brand expressions can inherit rather than a campaign that ends.

FOLLOW THE EVIDENCE

The sources

  1. How dentsu Tokyo turned NIKKA Whisky's philosophy of difference into a Cannes-winning creative language adobomagazine.com
  2. 'Radio Time Machine' and 'Recipe for Change' Win MAD STARS Grand Prix of the Year brandinginasia.com