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The archive · Advertising · Marketing decision · 2019–2020

Coca-Cola's 'Hear This Ad' stills make viewers hear the sound of opening a Coke

DAVID Miami shot macro close-ups of a bottle uncapping and a can snapping open, betting that sensorial memory would make viewers hear the images.

The Coca-Cola Company

The ideaDon't tell the brand story, trigger the memory: macro photos of a bottle uncapping or a can snapping make viewers involuntarily hear the sounds in their heads.incremental

What it had to solve

Coca-Cola, at 126 years old, wanted to remind people it is still iconic — not through new claims, but by showing that the refreshing ritual already lives in their own senses.

How it works

Coca-Cola had spent 126 years building an archive of sensory rituals — the hiss of a cap, the crack of a can, the fizz of a pour — so DAVID Miami asked what advertising would look like if it used only those memories. The answer was 'Hear This Ad': macro photographs with nothing moving and nothing playing, designed to be impossible to look at silently.

The creative team photographed close-ups of a bottle being uncapped, a can being snapped open and a glass filling with bubbles, then challenged viewers to hear the sounds in their heads. Because the rituals are so deeply encoded, the image reliably produces the sound — and with it the anticipation of taste — through the involuntary crossing of senses known as synaesthesia.

The work needed no product explanation because the product was already inside the audience. Cannes Lions 2019 gave it a Gold in Print & Publishing with further Outdoor and Design wins, and the D&AD jury summed up the transfer neatly: the ad made a viewer thirsty, and that was all it had to do.

Why it lands

  • The brand's sounds are already stored in decades of shared memory, so the ad only had to point at them.
  • A silent image that makes you hear something creates participation — the viewer finishes the ad themselves.
  • Macro photography turned a commodity moment into an iconic, product-led visual with no need for words.
  • Tapping taste through sound showed how one sense can sell through another.

What it did

The campaign took a Gold Lion in Print & Publishing at Cannes 2019 plus additional Outdoor and Design awards, and DAVID described it as the first audible visual campaign; a D&AD jury member said the work made them thirsty, which was all it needed to do.

Case pageCase on D&AD archive

What you can take

Use what the audience already carries: when a brand's sensory rituals live in memory, a still image that triggers them can out-advertise any new claim.

Since then

The campaign traveled from print into outdoor and social iterations under the banner 'Try Not to Hear This' and was archived by D&AD, where the jury praised its economy. It became a frequently cited example of sensory branding — proof that a mature brand's most valuable creative asset can be the rituals already living in its customers' heads.

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