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The archive · Product Ideas · Marketing decision · 2020–2023

Shizuoka City turns itself into a 1:1 scale plastic model city — ACC Japan Grand Prix

The city behind 80% of Japan's plastic models remade its own postboxes, phone booths and signs as 1:1 model 'runners' — a working plastic-model city.

Shizuoka City (静岡市)

The ideaRemake Shizuoka, home of 80% of Japan's plastic models, into a 1:1 plastic model itself — working postboxes, phone booths and signs redesigned as pre-assembly runners.substantial

What it had to solve

Shizuoka City produces more than 80% of the plastic models made in Japan, yet its own streets looked like any ordinary city, and tourism had been devastated by Covid-19. The city wanted to turn its industrial heritage into a reason to visit.

How it works

Shizuoka City is the quiet powerhouse of Japan's plastic model industry: more than 80% of the models sold in the country are made there, and the city bills itself as the 'model world capital'. But few of the people who snapped together a Tamiya or Bandai kit ever thought of Shizuoka as a destination, and the Covid-19 pandemic had hit its tourism hard.

In 2020, the city and Hakuhodo Kettle launched the Shizuoka City Plastic Model Project (静岡市プラモデル化計画). The idea was not to advertise the industry but to redesign the city itself as a 1:1 scale plastic model. Real objects — a postbox, a phone booth, tourist signs, benches, street lights and photo spots — were rebuilt as oversized, pre-assembly model parts, still fully functional.

Each monument took about six months with local model manufacturers and factory craftsmen, who paid close attention to the safety and the details that make a plastic model feel authentic. The first four Plamonuments, including a working plastic-model postbox that local schoolchildren used for the first mailing, were unveiled on 19 March 2021. The project's announcement video had already passed 1.5 million YouTube views, and visitor photos went viral.

The project became a tourist attraction in its own right, revitalizing a tourism industry that had been severely affected by Covid-19. It also swept Japan's and Asia's creative awards: the 2022 ACC Tokyo Creativity Awards Grand Prix, a Gold Design Lotus at ADFEST 2023, a place in the D&AD Annual 2023, and the top Brand Experience prize at the 76th Ad Dentsu Awards.

Why it lands

  • The medium was the message: the city demonstrated its industry by becoming its product, rather than claiming its heritage in an ad.
  • The monuments were not props — they kept working (you could still post a letter), which made the fantasy feel real and useful.
  • Turning civic infrastructure into shareable objects gave visitors a reason to travel to the city and something to photograph when they arrived.
  • Partnering with local factories and craftsmen made the project a genuine industry showcase, not a marketing stunt, and spread its economic benefit through the supply chain.

What it did

The announcement video passed 1.5 million YouTube views before the unveiling, a visitor's tweet about the monuments topped 100,000 likes, and the monuments drew tourists back to the city. The project won the 2022 ACC Japan Grand Prix (Minister of Internal Affairs and Communications Prize), a Gold Design Lotus at ADFEST 2023, and the top Brand Experience prize at the 76th Ad Dentsu Awards.

Case pageSee The Model City 1:1 Scale

What you can take

Make the industry's identity the medium: instead of advertising that Shizuoka makes models, remake the city itself as the product — working plastic-model postboxes prove the claim better than any ad.

Since then

The project kept expanding after the first unveiling: more Plamonuments appeared across the city, and plans covered benches, streetlights and other everyday features. By 2023 it had collected Japan's ACC Grand Prix, a Gold Design Lotus at ADFEST, the D&AD Annual, and the top Brand Experience prize at the Ad Dentsu Awards, and it continued to be cited as a model of Japanese place branding. The monuments remained installed for residents and visitors alike.

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