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The archive · Advertising · Marketing decision · 2011–2012

Intel's Museum of Me turns a Facebook page into a personal museum — 2M visits in 48 hours

A Facebook app that mines your profile into a cinematic virtual museum, soundtracked by 400 voices — 2M visits in 48 hours, six Cannes Lions.

Intel Corporation

The ideaMake the user the exhibit: pull their Facebook photos, friends and words into a virtual art museum they can walk through, ending in a robot-built mosaic of their face.substantial

What it had to solve

Intel was launching its second-generation Core i5 processor under the tagline 'Visibly Smart' and wanted an emotional demonstration of visual computing, not a spec list. Its Asia-Pacific marketing team (Hong Kong) and Tokyo agency Projector set out to tell that story inside the social web.

How it works

In 2011 Intel was launching its second-generation Core i5 processor with the tagline 'Visibly Smart'. Rather than claim the chip made visuals better, the Asia-Pacific team behind the launch — Intel's Hong Kong marketing office and Tokyo agency Projector — wanted people to feel what visual computing could do in a social world.

The answer was The Museum of Me, a Facebook Connect app that read a user's public profile and arranged their photos, videos, friends and status updates into the galleries of a private museum. Users walked through rooms where their own content hung on the walls; in the last room, robots assembled hundreds of their photos into a mosaic of their profile picture. The score was itself social: composer Masakatsu Takagi mixed 400 voices contributed by his Twitter followers into the soundtrack.

The app launched in June 2011 and spread without paid push. Within 48 hours two million people had visited; by the end of the year it had logged 5 million page views and 800,000 Facebook likes, been named Site of the Year by London's Favourite Website Awards, and collected praise from Mashable, CNET and The Wall Street Journal Europe's tech blog.

The work also became one of the most decorated Asian digital campaigns of its era: six Cannes Lions (3 Gold, 2 Silver and a Bronze), a Grand Clio, a Webby for best use of social media and an ADFEST 2012 Innova Lotus. Intel and Projector reused the formula a year later for 'Me the Musical', another personal Facebook movie, this time promoting Ultrabooks.

Why it lands

  • The user, not the product, was the content — everyone's result was unique and made for a flattering reason to share.
  • It made an abstract chip benefit ('Visibly Smart') into a tangible, emotional experience of visual data.
  • The music was social too, with 400 fan voices in the score, so the story of the making spread alongside the app.
  • Keeping the result private while sharing the act of creation gave the experience intimacy in an era of public feeds.

What it did

Within 48 hours of its June 2011 launch, two million people had used the app; by year-end it logged 5 million page views and 800,000 Facebook likes, was named FWA 'Site of the Year' and drew praise from Mashable, CNET and the WSJ Europe tech blog. It took six Cannes Lions (3 Gold, 2 Silver, 1 Bronze), a Grand Clio and a Webby, plus an ADFEST 2012 Innova Lotus, and Intel followed it with 'Me the Musical'.

Case pageThe Museum of Me — D&AD work page

What you can take

Let consumers be the content and keep the brand out of the way: an experience people want to share because it flatters them travels further than any product message.

Since then

Museum of Me became a template for personalised-data marketing: Intel and Projector followed it in July 2012 with 'Me the Musical', another profile-driven Facebook movie, and rivals began turning users' digital lives into shareable experiences. The app itself no longer works — it depended on Facebook's older permissions and the Flash-era web — so it survives through its trailer, case pages and awards archive. Its strategic lesson endured: Jayant Murty told Campaign Asia-Pacific that brands should stop pushing product messages and build simple, joyful experiences people describe to others.

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