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The archive · Small Business & Money · Financial decision · 1998–2008

CD Baby: a bedroom side project selling friends' CDs becomes a $22M company

Derek Sivers started CD Baby to sell his own CD; the store grew to $100M in sales for 150,000 musicians, then sold for $22M.

CD Baby

The ideaCharge musicians a flat $35 to list a CD, take a flat $4 per sale, pay them weekly and never take a cut for placement — the service maximizes the artist's take.transformative

What it had to solve

In 1997 musician Derek Sivers wanted to sell his own CD from a website, when few artists could sell online and distributors paid meager royalties. Friends asked him to sell theirs too; by 1998 he had 100 artists and a merchant account, running the store from his bedroom in Woodstock, New York.

How it works

CD Baby began in 1997 as a personal need: Derek Sivers, a full-time musician, wanted to sell his own CD from a website. He got a credit-card merchant account, taught himself basic HTML and then database-driven code, and soon friends asked him to sell their CDs too.

Sivers designed the model around four musician-first rules: pay artists every week instead of once a year, hand over the names and addresses of every buyer, never sell paid placement in search results, and never drop a title for poor sales. Musicians paid a one-time $35 setup fee; CD Baby kept a flat $4 per disc shipped.

By 1998 Sivers had 100 artists and his first employee; a decade later CD Baby held more than a million CDs from over 200,000 indie artists, was paying out about $1 million a week, and had generated over $100 million in sales for more than 150,000 musicians.

The company turned down acquisition offers for years and refused paid placement, earning the trust of musicians and the label 'one of the last music-business folk heroes' from Esquire. In 2008 Sivers sold CD Baby for $22 million and put the proceeds into a charitable trust for music education.

Why it lands

  • Each rule inverted the music industry's abuses — weekly pay, buyer lists, no payola, no drops — so the business model itself was the pitch.
  • A flat $4 fee kept CD Baby's interest aligned with the artist's: the more the artist sold, the more both earned, with no hidden cuts.
  • Giving musicians their customers' names and addresses built loyalty because the artists owned their fan relationships.
  • Starting as a favor to friends meant the first users were also the first advocates; word of mouth did the marketing.

What it did

CD Baby became the largest seller of independent music online, with over $100 million in sales for 150,000+ musicians, more than 200,000 artists in its catalog, and roughly $1 million paid out to artists every week; Sivers sold the company for $22 million in 2008.

Their siteCD Baby today

What you can take

A business model that deliberately maximizes the customer's take — weekly pay, no kickbacks, no minimum sales — turns customers into your sales force; word of mouth did the marketing.

Since then

CD Baby's musician-first norms — weekly or monthly payouts, no minimum sales, transparent cuts — spread across the industry and became standard for later distributors. The company still operates as a music distributor; its own site says it has paid independent artists over $1 billion since 1998.

Sources

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