Unify and differentiate a global bourbon portfolio — from iconic core range to super premium — around one big idea: family, drawn from the Beam family history.

Redesigned Jim Beam logo, rosette, bottle profile and footprint, plus a newly introduced die-cut label; bottle fluting shifts from iconic simplicity on the core range to an abstracted depiction of the Rackhouses on premium and super premium bottles.

The upgraded packaging rolled out globally in more than 100 markets — first the UK and Germany in April 2016, then the United States, Australia, Japan and all other markets later that summer.

In April 2016, Pearlfisher unveiled a new global look for Jim Beam, the bourbon brand, designed to unify the portfolio around the world. The consultancy based the work on 'the big idea of family', inspired by the history of the Beam family, who started bourbon production in Kentucky in 1795. Managing director Darren Foley called the design philosophy 'living legacy' — 'connecting the brand's past to its future and presenting a united family of products that individually and collectively tell a unique American story'.

The system's mechanics were built to unify and differentiate at once. Pearlfisher created key design elements — the Jim Beam logo, the rosette, the bottle profile and footprint, and a newly introduced die-cut label — that carry across every product. Creative director Natalie Chung said the brand was given 'the freedom to express, adapt and scale the level of premiumisation for each product': bottle fluting, a tactile equity of the brand, runs from iconic simplicity on the core range to more detailed fluting that abstractly depicts the Rackhouses on the core premium and super premium ranges.

The rollout matched the global ambition: the upgraded packaging launched in more than 100 markets, starting with the UK and Germany in April 2016 and reaching the United States, Australia, Japan and all remaining markets later that summer.

Heritage was the differentiator the category couldn't copy: an unbroken family line to 1795 became the system's content, not just its decoration.

One kit of elements solved a scale problem — 100+ markets needed consistency without flattening the tiers.

Tactile details like fluting let the same bottle silhouette speak quietly at core prices and luxuriously at super premium ones.

Portfolio design needs a hierarchy of equities: shared elements unify the family, while adjustable details like fluting price the tiers apart.

The packaging rolled out across the UK and Germany from April 2016 and into the US, Australia, Japan and more than 100 markets overall by the end of that summer, giving every future line extension a ready-made design grammar.

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  1. Pearlfisher rebrands Jim Beam designweek.co.uk